Combining music, circus acts and pantomime, much-loved French comedian and director Jacques Tati entertains a live Swedish audience in his last film. The circus acts range from clowns to magicians, but Tati also returns to his roots with a series of miming sessions, which include imitating a goalie, a tennis player and a fisherman. The spectacle also includes behind-the-scenes antics, sketches from backstage and a hefty dose of audience participation.
Parade represents a departure from Tati's previous films while maintaining his democratic approach to entertainment:
Parade received limited distribution upon its release and was often considered a minor work in Tati's filmography. However, critical reassessment has recognized its importance as both a summation of his career and a return to his artistic origins.
The film is now appreciated for its warmth, accessibility, and the way it captures Tati's performance skills. It offers a more direct and personal connection to Tati than his more elaborately constructed features, showing the man behind the famous character of Monsieur Hulot.
As his final completed work, Parade serves as a fitting coda to Tati's career, circling back to the simple joy of performance that initially drew him to entertainment while maintaining his lifelong commitment to breaking down barriers between art and audience.